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Description	Pandit Sohanlal Sharma was a Hindustani classical harmonium virtuoso known for his solo performances and collaborative instrumental works. Instrumental Focus: Specialized in harmonium solos and ensemble performances with sarod, tabla, and other instruments, blending traditional ragas with meditative arrangements. Repertoire: Raga Mishra Mand: Demonstrated in solo harmonium performances with intricate melodic phrasing. Thumri: Mastered semi-classical forms like Yaad Piya Ki Aaye, accompanied by sarod and tabla. Folk Adaptations: Recorded Dhun Lokgeet, showcasing harmonium interpretations of regional folk melodies. Solo Works: Harmonium Recital (archived by Shri Kashi Sangeet Samaj, Varanasi), featuring classical improvisations. Lalita Go Oke Aaj Cole Jete Bolna, a harmonium-sarod rendition of Manna Dey’s Bengali classic. Ensemble Pieces: Collaborated with sarod and tabla artists for albums like Relaxing Music (2016), emphasizing rhythmic and melodic interplay. YouTube Presence: Multiple uploads by Indian Classical Mind, including solo performances and cross-instrumental works. Spotify: Track Dhun Lokgeet Pt. Sohanlal Sharma (1964) under Traditional category. Archival Status: Recordings preserved by Public Resource and Shri Kashi Sangeet Samaj, highlighting his contributions to Hindustani music. Technical Mastery: Known for vocal-like fluidity on the harmonium, particularly in fast-paced taans and emotive alaaps. Genre Bridging: Blended classical rigor with folk accessibility, as seen in lokgeet adaptations. While biographical details (birth/death dates, awards) remain sparse, Sharma’s recordings and collaborations cement his role as a custodian of harmonium artistry in Hindustani classical music. His work continues to inspire through archived performances and digital platforms.
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